Friday, March 11, 2022

PRECIOUS LORD, TAKE MY HAND

Precious Lord, take my hand

Lead me on, let me stand

I am tired, I am weak, I am worn.

Through the storms, through the night, 

Lead me on to the light

Take my hand, precious Lord, 

Lead me on.


When my way grows drear

Precious Lord, linger near,

When my life is almost gone

Hear my cry hear my call, 

Hold my hand lest I fall:

Take my hand, precious Lord, 

Lead me on.


When the darkness appears

And the night draws near,

And the day is past and gone,

At the river I stand, 

Guide my feet, hold my hand:

Take my hand, precious Lord,

Lead me home.


Lyrics: Thomas A. Dorsey 1932

Tune: George Allen


Listen at: 

Mahalia Jackson sings this at:

                                                                 ###



 

Tuesday, March 1, 2022

THE CLOSING LINES OF KING LEAR BY WILLIAM SHAKESPEARE

King Lear, at the end of Act 5, Scene 3;

the closing lines uttered by the Duke of Albany:


The weight of this sad time we must obey, 

Speak what we feel, not what we ought to say.

The oldest hath borne most, we that are young

Shall never see so much nor live so long.

                                         ###



Thursday, December 9, 2021

MICHAEL DRAYTON - 1563-1631

 I may have more to say about Michael Drayton, but here are some of my faves of this poet who lived (and maybe even loved!)  500 years ago! (1563-1631)

                           

https://www.poetryfoundation.org/poets/michael-drayton


Idea 61: Since there’s no help, come let us kiss and part

Since there’s no help, come let us kiss and part. 
Nay, I have done, you get no more of me; 
And I am glad, yea glad with all my heart, 
That thus so cleanly I myself can free. 
Shake hands for ever, cancel all our vows, 
And when we meet at any time again, 
Be it not seen in either of our brows 
That we one jot of former love retain. 
Now at the last gasp of Love’s latest breath, 
When, his pulse failing, Passion speechless lies; 
When Faith is kneeling by his bed of death, 
And Innocence is closing up his eyes— 
Now, if thou wouldst, when all have given him over, 
From death to life thou might’st him yet recover!

Amour 30: Three sorts of serpents do resemble thee

Three sorts of serpents do resemble thee: 
That dangerous eye-killing cockatrice, 
The enchanting siren, which doth so entice, 
The weeping crocodile—these vile pernicious three. 
The basilisk his nature takes from thee, 
Who for my life in secret wait dost lie, 
And to my heart sendst poison from thine eye: 
Thus do I feel the pain, the cause, yet cannot see. 
Fair-maid no more, but Mer-maid be thy name, 
Who with thy sweet alluring harmony 
Hast played the thief, and stolen my heart from me, 
And like a tyrant makst my grief thy game: 
   Thou crocodile, who when thou hast me slain, 
   Lamentst my death, with tears of thy disdain.

                                             Have a Nice Day!


Wednesday, December 1, 2021

THE LADY OF SHALOTT BY ALFRED, LORD TENNYSON -- COMPLETE

This has been is one of my favorite poems since I first encountered it in an English Literature class at Antioch College around 1955.  Our final exam asked us to discuss the line spoken by this noble woman confined to a tower: "I am half sick of shadows said the Lady of Shalott."  

Indeed, as I lie here -- confined by the COVID epidemic and my Prolia-fractured body -- that is exactly how I feel!

Read the entire poem by Alfred, Lord Tennyson, at: 

https://www.poetryfoundation.org/poems/45359/the-lady-of-shalott-1832

or here:  The Lady of Shalott (1832)  

BY ALFRED, LORD TENNYSON


Part I 
On either side the river lie 
Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
       To many-tower'd Camelot; 
The yellow-leaved waterlily 
The green-sheathed daffodilly 
Tremble in the water chilly 
       Round about Shalott. 

Willows whiten, aspens shiver. 
The sunbeam showers break and quiver 
In the stream that runneth ever 
By the island in the river 
       Flowing down to Camelot. 
Four gray walls, and four gray towers 
Overlook a space of flowers, 
And the silent isle imbowers 
       The Lady of Shalott. 

Underneath the bearded barley, 
The reaper, reaping late and early, 
Hears her ever chanting cheerly, 
Like an angel, singing clearly, 
       O'er the stream of Camelot. 
Piling the sheaves in furrows airy, 
Beneath the moon, the reaper weary 
Listening whispers, ' 'Tis the fairy, 
       Lady of Shalott.' 

The little isle is all inrail'd 
With a rose-fence, and overtrail'd 
With roses: by the marge unhail'd 
The shallop flitteth silken sail'd, 
       Skimming down to Camelot. 
A pearl garland winds her head: 
She leaneth on a velvet bed, 
Full royally apparelled, 
       The Lady of Shalott. 

Part II 
No time hath she to sport and play: 
A charmed web she weaves alway. 
A curse is on her, if she stay 
Her weaving, either night or day, 
       To look down to Camelot. 
She knows not what the curse may be; 
Therefore she weaveth steadily, 
Therefore no other care hath she, 
       The Lady of Shalott. 

She lives with little joy or fear. 
Over the water, running near, 
The sheepbell tinkles in her ear. 
Before her hangs a mirror clear, 
       Reflecting tower'd Camelot. 
And as the mazy web she whirls, 
She sees the surly village churls, 
And the red cloaks of market girls 
       Pass onward from Shalott. 

Sometimes a troop of damsels glad, 
An abbot on an ambling pad, 
Sometimes a curly shepherd lad, 
Or long-hair'd page in crimson clad, 
       Goes by to tower'd Camelot: 
And sometimes thro' the mirror blue 
The knights come riding two and two: 
She hath no loyal knight and true, 
       The Lady of Shalott. 

But in her web she still delights 
To weave the mirror's magic sights, 
For often thro' the silent nights 
A funeral, with plumes and lights 
       And music, came from Camelot: 
Or when the moon was overhead 
Came two young lovers lately wed; 
'I am half sick of shadows,' said 
       The Lady of Shalott. 

Part III 
A bow-shot from her bower-eaves, 
He rode between the barley-sheaves, 
The sun came dazzling thro' the leaves, 
And flam'd upon the brazen greaves 
       Of bold Sir Lancelot. 
A red-cross knight for ever kneel'd 
To a lady in his shield, 
That sparkled on the yellow field, 
       Beside remote Shalott. 

The gemmy bridle glitter'd free, 
Like to some branch of stars we see 
Hung in the golden Galaxy. 
The bridle bells rang merrily 
       As he rode down from Camelot: 
And from his blazon'd baldric slung 
A mighty silver bugle hung, 
And as he rode his armour rung, 
       Beside remote Shalott. 

All in the blue unclouded weather 
Thick-jewell'd shone the saddle-leather, 
The helmet and the helmet-feather 
Burn'd like one burning flame together, 
       As he rode down from Camelot. 
As often thro' the purple night, 
Below the starry clusters bright, 
Some bearded meteor, trailing light, 
       Moves over green Shalott. 

His broad clear brow in sunlight glow'd; 
On burnish'd hooves his war-horse trode; 
From underneath his helmet flow'd 
His coal-black curls as on he rode, 
       As he rode down from Camelot. 
From the bank and from the river 
He flash'd into the crystal mirror, 
'Tirra lirra, tirra lirra:' 
       Sang Sir Lancelot. 

She left the web, she left the loom 
She made three paces thro' the room 
She saw the water-flower bloom, 
She saw the helmet and the plume, 
       She look'd down to Camelot. 
Out flew the web and floated wide; 
The mirror crack'd from side to side; 
'The curse is come upon me,' cried 
       The Lady of Shalott. 

Part IV 
In the stormy east-wind straining, 
The pale yellow woods were waning, 
The broad stream in his banks complaining, 
Heavily the low sky raining 
       Over tower'd Camelot; 
Outside the isle a shallow boat 
Beneath a willow lay afloat, 
Below the carven stern she wrote, 
       The Lady of Shalott. 

A cloudwhite crown of pearl she dight, 
All raimented in snowy white 
That loosely flew (her zone in sight 
Clasp'd with one blinding diamond bright) 
       Her wide eyes fix'd on Camelot, 
Though the squally east-wind keenly 
Blew, with folded arms serenely 
By the water stood the queenly 
       Lady of Shalott. 

With a steady stony glance— 
Like some bold seer in a trance, 
Beholding all his own mischance, 
Mute, with a glassy countenance— 
       She look'd down to Camelot. 
It was the closing of the day: 
She loos'd the chain, and down she lay; 
The broad stream bore her far away, 
       The Lady of Shalott. 

As when to sailors while they roam, 
By creeks and outfalls far from home, 
Rising and dropping with the foam, 
From dying swans wild warblings come, 
       Blown shoreward; so to Camelot 
Still as the boathead wound along 
The willowy hills and fields among, 
They heard her chanting her deathsong, 
       The Lady of Shalott. 

A longdrawn carol, mournful, holy, 
She chanted loudly, chanted lowly, 
Till her eyes were darken'd wholly, 
And her smooth face sharpen'd slowly, 
       Turn'd to tower'd Camelot: 
For ere she reach'd upon the tide 
The first house by the water-side, 
Singing in her song she died, 
       The Lady of Shalott. 

Under tower and balcony, 
By garden wall and gallery, 
A pale, pale corpse she floated by, 
Deadcold, between the houses high, 
       Dead into tower'd Camelot. 
Knight and burgher, lord and dame, 
To the planked wharfage came: 
Below the stern they read her name, 
       The Lady of Shalott. 

They cross'd themselves, their stars they blest, 
Knight, minstrel, abbot, squire, and guest. 
There lay a parchment on her breast, 
That puzzled more than all the rest, 
       The wellfed wits at Camelot. 
'The web was woven curiously, 
The charm is broken utterly, 
Draw near and fear not,—this is I, 
       The Lady of Shalott.'

               ~~~~~~~~~~~~

Friday, April 23, 2021

THE DEATH OF KING ARTHUR

 From The Death of King Arthur, as recounted by 
Alfred, Lord Tennyson in Idylls of the King 

       And slowly answer'd Arthur from the barge: 
"The old order changeth, yielding place to new, 
And God fulfils himself in many ways, 
Lest one good custom should corrupt the world. 
Comfort thyself: what comfort is in me? 
I have lived my life, and that which I have done 
May He within himself make pure! but thou, 
If thou shouldst never see my face again, 
Pray for my soul. More things are wrought by prayer 
Than this world dreams of. Wherefore, let thy voice 
Rise like a fountain for me night and day. 
For what are men better than sheep or goats 
That nourish a blind life within the brain, 
If, knowing God, they lift not hands of prayer 
Both for themselves and those who call them friend? 
For so the whole round earth is every way 
Bound by gold chains about the feet of God. 
But now farewell. I am going a long way 
With these thou seëst—if indeed I go 
(For all my mind is clouded with a doubt)— 
To the island-valley of Avilion; 
Where falls not hail, or rain, or any snow, 
Nor ever wind blows loudly; but it lies 
Deep-meadow'd, happy, fair with orchard lawns 
And bowery hollows crown'd with summer sea, 
Where I will heal me of my grievous wound." 


This epic work recites the life and death of King Arthur and the Knights of the Round Table. The section here recounts the death of King Arthur, who reassures his knights standing about in sadness.  

Read this work at: https://www.poetryfoundation.org/poems/45370/morte-darthur

And more at: 

                


                         


Note: I have also posted more of this poem at:
                                                           ###


Tuesday, February 2, 2021

HARBSTLID -- Autumn Song by Beyle Schaechter-Gottesman

From the Yiddish - that best describes this— 


Boyle Schaechter-Gottesman. Harbstlid (Song of Autumn)

http://www.jewishfolksongs.com/en/harbstlid


See Lecture: "The Seasons"

For information about Schaechter-Gottesman, see the webpage by Jane Peppler entitled "Beyle Schaechter-Gottesman: poet, composer, living legend"

 

Ze, s'iz harbst -- See, it's fall --

Un vos gegrint fargelt, farvyanet. And all that greened has yellowed, withered.

Ze, s'iz harbst -- See, it's fall --

Un vos geblit fargeyt ... And all that bloomed is gone ...

Un ikh, vos kh'hob gemeyn s'iz shtendik friling And I who thought that spring would last forever,

Un kh'halt in hant And in my hand I hold

Di gantse eybikeyt. All Eternity.

Oho, falndike bleter! Oho, falling leaves!

Oho, fliendike teg! Oho, flying days!

Oho, vi vel ikh itster blondzhen, Oho, how will I wander now,

Ven s'ligt gedikhter nepl af mayn veg.. When thick fog settles on my way ...

Kraken feygl, Cawing birds

Zogn troyerik: "Zay gezunt dir!" Sadly say: "Good-bye!"

Krekhtst in fentster Making noise at the window

Un se klogt der vint: And the wind moans and wails:

"O, vi volt ikh itst avek fun danen "I wish that I could get away from here

Tsun a breg To a shore

Vu nokh der friling grint ..." Where there is still green spring ..."

—- Oho, falndike bletter, …etc Oho, falling leaves...


Flit der regn -- Driving rain (lit. rain flies)

A galop af vildn ferdl. Gallops on a wild horse,

Roymt mir ayn a sod: er hot mikh holt. Whispers secret love into my ear:

"Tsu vos zhe darfstu vartn afn friling, "Why do you need to wait for springtime

Az s'hot der osyen fule koyshns gold." When autumn offers baskets full of gold?

Oho, falndike letter, ... etc. Oho, falling leaves ...etc.


Source: Schaechter-Gottesman, Beyle, Zumerteg: Tsvantsik zinglider. Yiddish League, 1990


Thursday, November 19, 2020

ABRAHAM LINCOLN - THE GETTYSBURG ADDRESS

Lincoln’s Gettysburg Address by Abraham Lincoln

President Abraham Lincoln gave his most famous speech, the Gettysburg Address, on November 19, 1863. At that time, the U.S. was in the middle of the Civil War. Lincoln gave the speech at the dedication of a cemetery for the soldiers who had died during the Battle of Gettysburg.

------------------------

Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived, and so dedicated, can long endure. We are met here on a great battle field of that war. We are now have come to dedicate a portion of it as the a final resting place of for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

But in a larger sense we can not dedicate—we can not consecrate—we can not hallow this ground. The brave men, living and dead, who struggled here, have consecrated it far above our poor power to add or detract. The world will little note, nor long remember, what we say here, but can never forget what they did here. It is for us, the living, rather to be dedicated here to the unfinished work which they have, thus far, so nobly carried on. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to the that cause for which they here gave gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain; that this nation shall have a new birth of freedom; and that this government of the people, by the people, for the people, shall not perish from the earth.

                                           ###

MOM WILL SOON BE IN A DEATH HOLE

Mom will soon be in a death hole, Isn’t that something you knew? She’s just like big piece of dog dirt, The kind that you scrape off your sh...